She's in the sleepy village of Upper Wellsford (not Upper Slaughter, no matter what Cecilia thinks!)
from Chapter 2
Friday, 27 February
Herbert Pollard ran the Hook and Line Pub with a
strict hand. From under thatchy brows threaded with more silver than his sandy
hair, he stared at the small watercolor easel that Isabella had brought on the
train. Beside it on the bar lay her sketchbook, sliding out of her artist’s
tote, a leather satchel confiscated from Madoc. Isabella fished in her purse
for the three envelopes sent from the dowager Lady Malvaise, introductory
letters to Mr. Pollard and the prep school’s headmaster and young Edward
Malvaise, the subject of her portrait.
“We don’t approve of the wild goings-on that
painters do,” Mr. Pollard said heavily. “Specially American painters what call
themselves artistes.”
“We run a nice establishment,” his wife interjected
from the end of the bar where she worked on ledgers.
The whistle for the departing train blew.
Chilled from the late February wind, Isabella
stopped hunting in her purse and turned to the satchel. “Of course not. I mean,
I’m reassured that you don’t approve of wild goings-on. A woman alone—.” She
trailed off, letting them complete the sentence with the clichéd responses. Her
icy fingers finally felt the three letters forwarded from Lady Malvaise’s
secretary-companion. She withdrew them and removed the red cord that bound
them. Mr. Pollard’s letter was on the bottom. Fighting shivers from her walk
from the train station, she handed over his. “Did you receive the large easel
and canvas and box that I sent? Those were supposed to arrive this morning.”
He stared at the letter as if he didn’t know what
to do with it. “Aye, brought to us this morning they were. I put them in the
room you hired.”
Isabella winced, thinking of small rooms offered
by pubs and the size of the easel and the canvas. The box, the size of a milk
crate, had her paints and brushes and turpentine and palette. Would the room
hold her?
“What’s in this?” He tapped the envelope on the
bar.
“Lady Malvaise has promised to pay for my room and
board. She writes of the arrangements for you to draw the funds.” At least,
that was the agreement in her own letter from the secretary. She hadn’t opened any
letter but her own. “I don’t know all the particulars. Will there be a problem
with my staying the length of time that I mentioned in my letter of the fifth?”
“No, no problem.”
His wife left her stool and came behind the bar to
take the letter her husband handed her. “When you wrote, we thought you were a
momma worried about her son. His first time away from home and all that. We
didn’t know you were an artist from America, not until that easel arrived.”
“Oh. A momma with a son at Greavley Abbey School.
No. I’m not really all the way from America, either. I live in England with my
husband. He’s Welsh. Madoc Tarrant. The reason that I’ve come here, to Upper
Wellsford, is that Lady Malvaise’s grandson attends Greavley Abbey School. It’s
his portrait that I am to paint.”
“The dowager Malvaise?” Mrs. Pollard slanted a
look at her husband as she unfolded the letter then dropped her gaze to read. She
looked two decades younger than he. Her pale brows pinched in, then she turned
to the second page. Whatever she read there turned her incipient frown into a
wide smile. “Why, that’s fine, then.” She turned to her husband. “We’ll have no
trouble accommodating Mrs. Tarrant. It’s as she says. Lady Malvaise will cover
any charges for her room and board.” She tucked the letter back into the
envelope. “And her grandson’s at the Abbey School. Has he been there long, Mrs.
Tarrant?”
“I think he has attended for several years. I’m
not certain, though. I suppose it is too late to introduce myself to Mr. Filmer
the headmaster or to Edward Malvaise.”
As a bar maid appeared, Mrs. Pollard waved her
husband back to his work. She rested an elbow on the bar and watched Isabella
tuck the remaining two letters and her sketchbook into the leather satchel. “As
to the boy, it’s much too late. He’ll have Friday Evensong and Compline to
attend. Dean Filmer usually comes in after the service. That’s late,” she
added.
Isabella nodded and smiled and murmured her
gratitude. Everything they said was helpful. If that meant pretending that she
knew nothing about Church of England services, then so be it. Her father had
enjoyed what he called “high church liturgy” and the prayers of the canonical
hours. A professor of history, he’d relished steeping himself in ritual and
music and a setting with a strong weight of centuries.
She missed him terribly sometimes.
Not so much since her marriage to Madoc—although
now she missed her husband.
“Will Mr. Filmer come to the pub after ten
o’clock?”
“Closer to half-past. You better call him Dean
Filmer. That’s what he goes by. The dean. The teachers are masters. Some kind
of Greavley foolishness, but you know public schools and their traditions.”
That reminded Isabella that she’d hadn’t seen any
women in the pub. “Do you have any policies that I should know about?”
“We have quiet nights here. No ladies in the pub
after tea-time unless accompanied by their husbands or sons or a man of the
village. Since you wish to meet Dean Filmer, I suppose that gives you
permission to be in the pub, but not on a regular basis, Mrs. Tarrant.”
“I will keep that in mind. Will I take meals in my
room?”
“Bless you, no, Mrs. Tarrant. We have a small
sitting room reserved for guests. Mr. Pollard calls it the lounge. We have
seating there and tables to serve dinner and breakfast to our paying guests. We
keep city hours,” she added, sounding proud of that. “Lunch here in the pub, of
course. If you’re to miss a meal service, be pleased to let us know several
hours in advance.”
“That suits me perfectly.” She and Mrs. Pollard
exchanged smiles.
After their original quick judgement, Isabella
hadn’t expected to like the Pollards. She’d gradually revised her opinion of
Mrs. Pollard. The husband remained a mystery.
Isabella slung the strap of Madoc’s satchel over
her shoulder and gathered up her small easel and purse. Then she bent her knees
to pick up her bulky suitcase.
“Sibby!” Mr. Pollard called. “Sibby! That girl!”
When no one appeared at the pass-through door behind the bar, he pushed it
wide, offering a view into a busy kitchen. “Sibby! Get in here.”
The bar maid came out, tucking loose strands of
hair behind her ears. With her dark hair and trim figure, she would have been
pretty, but a scowl marred her sharp features. “What am I to do now?”
Mrs. Pollard rolled her eyes and returned to her
ledgers. Mr. Pollard rapped out several sentences about “come when you’re
called” and “work for me at whatever I say”. He finished with “Don’t be
frowning at me, or you’ll be looking for another position.”
Sibby kept her gaze on him throughout and nodded
or shook her head at the appropriate moments. When Mr. Pollard wound down, she
crossed her arms over her bibfront apron. “What’s to do?”
“This is Mrs. Tarrant,” his wife said calmly from
the end of the bar. “Take her suitcase, and show her to the room we’ve
prepared. Freshen the water in her pitcher, and give her extra cloths.”
Sibby came around the bar. “This it?” and she
reached for the suitcase.
Having lugged it from the station along with her
small easel and satchel while the February wind bit through her, Isabella
happily relinquished it.
For all her slenderness, Sibby had no trouble with
the suitcase on the steep stairs to the first floor. The hall had windows at
either end. Light filtered through lacy curtains. The uncarpeted floor looked
oiled rather than waxed. Isabella’s city pumps clicked on the wood while the
bar maid passed more soundlessly in plain brogues.
Sibby stopped at the last room. “This room looks
onto the back. You’ll like that. Not so noisy as the front.” She swung the
suitcase onto the bed.
Isabella winced, for the coverlet was a pale
printed quilt with interlocked rings in pink and rose and purple. “Do they call
that pattern ‘wedding ring’?” She peered around the room. The large easel and
canvas that she had shipped were just inside the door, leaning against the
wall, taking up the scant walk-space on this side of the bed. Madoc had knocked
out the easel of rough wood and left it unsanded since it would be freighted.
Brown paper wrapped the canvas, protecting it during transport.
“I have no idea. I’m not much for sewing.” The bar
maid edged around the bed to a square table tucked into the front corner. She
claimed a transferware pitcher adorned with a country scene. “I’ll get your
water, ma’am.”
Isabella pressed against the bed to let Sibby
pass, then she placed her purse and satchel beside her suitcase. She propped
the little easel under the large one.
This room would be her home for the next twelve
weeks. Surely the painting will be done by then! The little square table
for the pitcher and basin took up the corner, with a small round mirror hanging
above a shelf. A man who had to shave would devolve to many gyrations to see
his face. She stepped over her box of paint supplies, shoved against the foot
of the bed. Once around, she found that the other side had much more room.
Under the window was a narrow table and a single chair. She switched on the
japanned metal lamp, and the room took on a muted glow. Lace curtains
half-covered the windows, but there were also heavy drapes pushed aside to
reveal the misty landscape. After peering at the twilight-dim back garden, she
drew the curtains. She was examining the shelves and hangers of the wardrobe between
the bed and the outside wall when Sibby returned.
“Will you have dinner in the lounge or up here,
Mrs. Tarrant?”
“Below, please. I intend to start as I mean to go
on. Do you think we’ll have snow in the morning?” That didn’t bode well for her
paints. Hopefully, she would soon have her preliminary sketching done, on paper
and on the canvas.
“Weather report says Sunday will be warm and
sunny, then we’re back to cold and rain. There’s towels in the bathroom. That’s
down the hall, right next to the stair. The WC is across from it. Do you think
you’ll need more cloths for washing?” Sibby had taken to heart Mrs. Pollard’s
order to give her more cloths, and she crammed the stack onto the little shelf
of the triangular corner table.
“Not for a few days.”
“I work afternoon and evening. In the morning till
afternoon it’s Nuala. She’ll have your morning tea at 7 sharp. Breakfast a
half-hour later. You have a couple of hours before dinner.” She nodded
abruptly, remembered to smile, then retreated.
With the door shut, Isabella towed her suitcase
across the coverlet and set to unpacking. Her few clothes which had crammed the
suitcase looked lonesome in the wardrobe. She arranged and re-arranged them
then decided to empty the contents of the satchel onto one shelf. Her
sketchbook, pencils and eraser, sharpening pen knife and charcoal fit very
neatly on the eye-level shelf. A long jacket, two good frocks, and her blouses hung
neatly from the short rod. Folded skirts and jumpers and jodphurs filled the
other two shelves. Her spare shoes, one pair for walking, the other pair in
case of a special dinner, tucked easily onto the bottom shelf. Staring at the
empty top shelf, she turned about, wandering what else would fit in the
wardrobe and give her more room.
She stubbed her toe on the paint box. In a trice
she fit her watercolor paints and brushes and palette, papers and clips neatly
onto the top shelf. The small easel fit neatly under the table.
Tomorrow was her first meeting with Edward
Malvaise. She also needed to cart to the school the large easel and canvas and
paint crate with everything she needed to work with oils. Lady Malvaise had
stated positively that the headmaster would provide a room at Greavley Abbey
School in which she would work, and the paint crate would store there easily.
Full dark had fallen while she unpacked. Catching
the time on her wristwatch. Isabella hurried into a plain taupe frock and
tugged on a warm cardigan patterned with gold and bronze overblown roses. She
finished her look with eardrops of seed pearls in a gold setting and the single
twisted gold strand that Madoc had given her after their marriage. Sliding into
a pair of mahogany pumps, she locked her door, slid the key into her purse,
then clattered down the narrow stairway and turned down the hall that Mrs.
Pollard had indicated with a wave of her hand when she’d mentioned the lounge.
There she encountered Sibby, carrying a tray with
covers.
The bar maid gave her a jaundiced look that
repulsed any greeting. “Mrs. Pollard says you are to linger over your dinner.
You can use the lounge as a sitting room. When Dean Filmer arrives, she’ll send
him there so you can meet with him.”
“That’s considerate of her.” She held the door
then followed Sibby into the room.
The lounge was dim, with only three lamps
providing a weak glow. The only welcome was a cheery fire. Three round tables
with heavy chairs were set for dinner service. Well away from the fireplace
were a settee and two club chairs. The curtains were drawn against the night.
They didn’t create a cozy ambience. Their dark color absorbed the light, adding
to the dimness.
Sibby set the tray on the first table, well away
from the fireplace. She removed the covered dishes then departed.
Isabella barely waited for the door to close
before she dragged a table closer to the fire and scooted over its chairs. Then
she transferred the covered plate and dessert coupe and bread plate. Covers
off, she could see the steam rising from the steak and kidney pie. The dessert
coupe had an apple crumble that surprised her by being delightful, with
cinnamon sprinkled on the custard portion.
When Sibby returned an hour later, Isabella had
rearranged the whole room, one table dragged to the window that overlooked the
garden with its low wall and view of the trees beyond and the other table
relegated to the far end of the room, in front of a set of low shelves, sparse
of books yet rich with curios. She’d dragged the settee from the wall. With the
club chairs it created a conversation circle on the other side of the
fireplace. The circle caught the fire’s heat and became cozy. She had claimed
the club chair nearest the fire and was flipping through an old magazine when
the door opened.
Sibby stopped short when she saw the changes but
said nothing. She gathered the dishes onto her tray. “Will you be wanting
coffee now?”
Should I risk coffee in the countryside?
American born and raised, she’d acquired a coffee habit early, and English tea
didn’t quite replace it. Only Middle Eastern restaurants could brew it
properly, but sometimes their incarnations of coffee were too strong. “Yes,
please, and thank you. My compliments to whoever baked that apple crumble. It
was an unexpected joy.”
The bar maid smiled, a true smile, not a fake one.
“That’ll be Mrs. Halsey our cook. I’ll tell her you liked it.”
“Thank you, Sibby.”
“Will you be wanting anything else? Cream and
sugar for your coffee?”
“Black, please. I suppose it would be an
imposition were you to tell me when the headmaster arrives? I think Mrs.
Pollard intended to do so, but I doubt she will bring him immediately.”
“He’ll be late. Close to eleven. He comes in his
auto. Too much trouble to walk from the school. I’ll be happy to give you a
head’s up.” She hesitated then, “He likes to be called Dean Filmer.”
“Yes, Mrs. Pollard said. I appreciate this,
Sibby.”
“You’ll be here?”
“Yes. I thought I would investigate the books on
that shelf.”
Sibby lifted the tray, took a step, then paused.
“Will I come back to more changes in the room?”
“I hope not. I thought I would leave the sideboard
and the shelves where they were.”
“Mrs. Pollard may not like it. Is this one of
those London room arrangements, furniture out in the room and not against the
wall?”
“The dowager Malvaise is paying handsomely for my
stay here, for over two months. I would like to have a bit of comfort in the
evening. These chairs were too far from the fire.”
“You needn’t explain to me. I suppose you found
cobwebs and dust bunnies.”
“I did.”
She shrugged. “It’s Nuala what cleans this room.
You’ve given her more work of a Saturday morning.” Then she walked out the door
she’d left ajar and hip-bumped it closed.
Isabella hoped Mrs. Pollard was not too upset with
the changes.
How was Madoc enduring his changes? He would be on
board his ship by now, with a narrow berth in a cabin shared with other men. A
ship mess for his dinner, likely without any sweet dessert.
She tugged out a handkerchief to dab her eyes.
The layout for Greavley Abbey in Upper Wellsford
Preorder Available Now at this Link:
https://www.amazon.com/dp/B0973GVKSQ
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