Can an artist avoid death when murder paints with blood?
Portrait with Death ~
3rd Novel in the Into Death series
Chapter 1
Wednesday, 31 January 1920
The train whistle blew. Steam clouded the grimy platform.
People rushed past, laden with parcels that hadn’t gone to freight. Others
sauntered along the platform, through the vapor wafting from beneath the
engine. Small clutches of people lingered, saying goodbye.
Madoc hoisted his tightly-packed canvas duffle over his
shoulder. He gave a shake of his head, to get his black hair out of his eyes.
In the months since they’d met, his hair had grown. Isabella thought he had a
personal goal to rid himself of anything like the military cut forced on him
for years.
The conductor called for boarding, and tears flooded
Isabella’s eyes. He was leaving. Now. Not weeks, not days. Now. She wouldn’t
see him for months.
He touched her cheek. “None of that, Bella.”
“I wish I were traveling with you, Madoc.”
“Not yet. Only two and a half months. Then I will count the
days until your ship arrives in Calcutta.”
“Seventy-six days, during which I work madly to finish an
oil painting and store what we won’t need in that box room that Gawen’s
offering, then I count the days. And try to finish the illustrations for his
articles. He hasn’t written the last two yet.”
“You’ll come up with something he can use. You also have
those pen-and-ink drawings for Tony Carstairs. London sites.”
“I have no worries about the drawings for Tony, but I’m
running out of artifacts for your brother.” She fretted over the drawings because
she dared not fret about his leaving. Married a month, and Madoc was heading to
a faraway place. “Madoc, must you work your passage on this cargo ship? I can
take a smaller berth or share with someone.”
“I need to stay active on this voyage.” He had rejected all her
ideas for his travel to India, every idea she’d advanced over the past month of
their marriage. “Captain Harvey is a cousin of one of my former soldiers. And
working my passage will keep me busy. I’ll fall into my bunk every night, too
worn out to miss you, love.”
Isabella clutched his arm. Nightmares no longer plagued him
nightly, but they still occurred at odd times, for odd reasons. He’d been
demobbed for over a year now. He wouldn’t want his new shipmates to know he had
any weakness. Madoc made friends easily; he’d win them over—but they would be
cautious if nightmares were their introduction to him.
“Besides,” he added, “I’m not certain what living
arrangements Mr. Tredennit has set up in Calcutta. We won’t cross to Australia
until July. Our summer is their winter.”
“An upside-down world.”
“A shake-up of your normal world. It will affect your art.”
He flicked the golden end of her braided hair. “I’ll write letters or send a
cable from every port until we reach Calcutta.”
The conductor called again.
Madoc bussed her lips with the briefest caress, risking
censure for that public affection. Then he was gone, climbing into his
compartment. He dropped the window to lean out.
She wanted to climb into that compartment with him.
The train engine groaned then began to pull, wheels
squealing on the tracks before they caught and tugged. A man bumped her. A boy
dashed between her and the train. When she steadied, the passenger cars were
rolling, taking Madoc farther and farther away, faster and faster. He waved.
She blew him a kiss. He stretched as if catching it, carried his closed fist to
his lips. Then the vapor swirled, the train gained more speed and left the
station, heading into the rain and away from her.
She yanked out a handkerchief and blotted her wet cheeks.
“Very touching,” said a wry voice behind her. “Shall we have
tea before we start back? I know a shop a few streets from the station. They
have clotted cream fresh from the countryside.”
“Cecilia,” Madoc’s brother Gawen said to his new wife, in a
sigh rather than a quelling tone. “We planned to have tea at home.”
Gawen and Cecilia had insisted on joining them on the
platform, partly to see Madoc off, partly to give Isabella support.
The two brothers were tight-knit. Gawen also hadn’t liked
his younger brother working his passage to India and then to Australia. He
understood the reason. He posed his arguments. Madoc hadn’t listened to him or
to Isabella.
Cecilia had insisted on coming to the station for Isabella’s
sake. She was intent on bolstering her friend. Isabella hadn’t moaned to anyone
about Madoc’s leaving, yet Cess sensed her dismay. She’d tried dozens of
distractions in the past fortnight. She had many more planned for the brief
days before Isabella left to paint that portrait.
She didn’t begrudge the commission for the portrait. It would
bring money, a lot of money, money to give her and Madoc a good emergency fund
when they set up home in Australia. His job there would take months. Nor was
the portrait the chief reason that she had to wait before taking ship to join him.
That was the lack of a berth. With the war over and all countries in harmony
imposed by treaty, their citizens had eagerly returned to traveling. The first
affordable berth that Isabella could book wasn’t until April.
Seventy-six days from now.
An oil portrait. Six illustrations for Gawen, based on her
remaining sketches from Crete and two artifacts. Ten pen-and-ink drawings for
Tony Carstairs. Watercolor landscapes. Surely those will fill my empty hours
without Madoc?
Cecilia pointed at the railway clock visible on the
platform. “It’s a half-hour to lunch. Let’s eat at a tea shop then go on to St.
George’s. Gawen, you do need talk to Isabella about your last two articles, and
she can see the artifacts that you’ve picked for illustrations. Then she shall come
to the flat for dinner.”
“No, I must call a rain check for dinner. I must finish my
packing. I want everything almost out of the Kirkgardie Street flat before
Filly Malvaise moves into your old room. I still have boxes and boxes.”
“I still want you to stay with us.” Cecilia looped a hand
through Isabella’s elbow. Her other hand hooking on her new husband’s arm, she
steered them off the platform and to the stairs. People coming down the steps had
to venture to the side.
“I will not, Cess. You and Gawen married last weekend. You
need time alone together.”
“We’ll have time when you leave.”
They emerged onto the street and into a cold rain that spat
ice. Isabella popped up her umbrella while Gawen managed one for Cess and him.
Cess turned and spoke, but the street traffic drowned her words. Isabella
nodded anyway and followed them like a well-trained puppy.
Funny. Last summer I had to fend for myself, and I’ll be
alone again when I travel to Upper Wellsford for the portrait. Not
completely alone, though. Far from her, Madoc was still her husband, and Cess
and Gawen were family.
London looked grey and dingy and dreary. Weeks in the
countryside as spring emerged would be much better than cooped up in the
congested city.
She hoped Madoc found a friend on ship. He’ll make
friends quickly. He’ll find out their destination and their jobs on board and
draw out their life stories.
That didn’t reassure her.
His ability to talk easily to strangers, to manage an
unknown crew of workers, and to know work that needed to be done even without a
prep for it: those traits had impressed Michael Tredennit. The older man had
offered Madoc this chance. The new job had excellent pay and compensation for
travel and an opportunity for advancement.
I’m happy for him. I am. I just wish—.
“Isabella, what do you think?”
She came to the present with a jolt and realized they’d
passed Gawen’s roadster. “Sorry, I was wool-gathering. What did you ask?”
Cess exchanged a knowing look with Gawen then indicated the
tea shop across the street. Brightly lit windows offered comfort from the
elements. Ice pellets spattered her umbrella. The tea shop’s sunny interior,
revealed above the bright blue café curtains, promised warmth and welcome.
Cecilia launched into a description of a large luncheon.
Isabella listened to little of it. “Of course. Whatever fits
with your plans.”
She tried to be less distracted as they lunched. The food
was excellent and warming. The waitress allowed them to linger. Gawen talked of
the last cataloging for the artifacts brought from Crete. Cecilia brimmed with
plans for her columns for Modern Woman and how her work fit so easily
into Gawen’s life. She tried a discussion of the new direction in the spring
fashion magazines, but Isabella refused to engage in that conversation.
Then Cess began planning visits to four different
couturiers, with Isabella needed for quick sketches.
“When are you planning to visit these fashion houses?”
“Next week.”
“You forget. I’m leaving for the Midlands in three weeks. I
have packing. I have Gawen’s illustrations and those drawings for Tony. I can’t
sketch countless models for you.”
“Your trip is a month away.”
“Not really. You will want these sketches to be
magazine-perfect, won’t you?”
“Of course. Just like you do for Gawen.”
“That’s not enough time. Cess. It’s not. Not with everything
else I must do.”
“Can you not delay your journey? Start the portrait at the
end of February? Or in mid-March? Please! A few extra days only.”
Isabella cut into the luscious tiramisu, its aroma of coffee
and chocolate promising delight. “I shall be at the outer edge of my timeline
as it is. I dare not take extra days, or I’ll interfere with completing my
commission. I won’t delay boarding ship.” She smiled at her friend, trying to
take the sting out of her stubborn stance. “Let me talk to Tony. He may know of
a young artist willing to do your fashion sketches.”
“Whoever it is,” she said glumly, “will want pay for their
time.”
“Were you not going to pay me?” At Cess’s startled look,
Isabella laughed.
“I fully intended to pay you, Isabella.”
“The hole gets deeper,” Gawen murmured then hid a smile
behind his coffee cup while Cecilia blustered about payment.
The afternoon passed as planned. The ice turned back into
rain.
When Isabella called a cab to take her back to the
Kirkgardie flat, Cecilia waited with her in the entrance. “Do talk to your Mr.
Carstairs. Give him my new address. Will we see you this weekend?”
“With a lorry in tow. I hope to have several boxes packed,
ready for storage.”
“Stay for dinner. I’d have you visit us every night for
dinner before you leave for Upper Slaughter.”
Isabella chuckled at the name. “Upper Wellsford. Next
to Lower Wellsford. It has its own rail spur.”
“Upper Slaughter,” Cess declared firmly. “I predict that
your curiosity will be slaughtered within three days of your arrival in that
sleepy hamlet. You don’t have to stay there the whole time, do you? You can
visit us. Every weekend.”
“Perhaps not that often. Oil paint sometimes has a mind of
its own. I’ll ring you if I wish to visit.”
“How will you cart that monstrous canvas to Upper Slaughter?
Why did the dowager want it nearly life-size?”
“He’s her only living grandson and heir to the barony. I’m
making a very nice commission, Cess. The canvas and my easel should arrive
before I do.”
“Oh, bother. That’s the cab man. You can manage everything
else? If you need anything—.”
“I’ll see you several times before I go. And I will ask for
help if I need it.”
“I feel as if my sole fledgling chick is flying the nest.
I’ll miss you, Isabella.”
“I’ll write daily, Mother.”
“Oh, you!”
In this day of bright lipstick, they air-kissed. Like a
posh Bright Young Thing, Isabella thought as she ran down the steps and
slid into the cab.
She understood Cess’ strange feeling of loss. It had started
for her when a gunshot nearly killed Cess. Madoc’s ocean voyage tripled the
feeling of deprivation. Life’s changes weren’t always a blessing.
Cess had no one beyond their little circle. As the youngest
daughter of Viscount Salton, she had had a wide circle of acquaintances. Yet
she hadn’t had friends who became closer than family until the fraught events
of last October. The viscount had threatened to cut ties when Cess wanted to
marry Gawen. They had married. Maybe the viscount hadn’t followed through with his
threat.
Isabella was just as alone. She had only an aunt for
bloodkin, but that worthy remained in the States. Her marriage to Madoc had
barely renewed the feeling of family before his imminent departure loomed.
Cecilia and Gawen were her only friends on this side of the Atlantic, and soon
Isabella would depart and enter another world where she knew virtually no one.
The cab trundled away, bouncing over pavement that needed
repair, the rain pelting the windows and blurring everything around.
Or maybe that was the tears in her eyes.
Thursday, 5 February 1920
Flick Sherborne perched on a corner of Alicia Osterley’s
littered desk and watched as her friend examined the photographic prints she
had handed over as soon as she entered.
Blinking owlishly behind the thick round glasses that gave
her the nickname of Owl, Alicia closely examined several of the prints. She
hadn’t commented when Flick had presented her the courier envelope. She merely
unwound the string and drew out the prints, spreading them on her desk to see
the full range.
That’s how Flick knew Alicia would rise in the editing
world. Already she had the behavior of Alan Rettleston, managing editor of the London
Daily. No one had taught Owl the editing job; she came full-fledged with
the knowledge. Cold logic about the facts, critical objectivity to judge the
audience, emotional reaction held last, after all decisions.
With over two decades in the newspaper world, Alan Rettleston
was emotionally stunted. Would Owl become that way? Her boss Lottie Crittenden
wasn’t. Lottie was a publisher, not a busy editor. Modern Woman was her
third publication. Where had Lottie gotten her seed money for Modern Woman?
Lottie and her nieces Greta Ffoulkes and Tori Malvaise threw
fabulous parties filled with London’s Bright Young Things and artistic effetes.
Flick rarely attended. Even more rarely did she receive an invitation—although
the current obligatory invitation was propped on the dining table underneath
the kitchen window. Like Owl, she was an employee more than a social equal.
When Owl did attend a party, Flick imagined she blinked—well, owlishly at the
goings-on in London’s high society. Those attending the fast and wickedly
daring parties weren’t the readership for Modern Woman. Owl didn’t need
to understand wild scavenger hunts and swimming in public fountains and
all-night binges driven by white powder.
Owl was a babe in the editing world. Maybe she would escape
the jaded cynicism of Alan Rettleston.
The current red-edged invitation came from Greta Ffoulkes,
for a Valentine’s party. A masquerade The best of young London would be there,
eager to celebrate the lives they hadn’t risked in the past war. Champagne
would flow faster than conversation, and the dancing faster still. Secrets
would become public, rumors would start, facts would be forgotten. She might
go. In the crowd, no one would look too closely at her reworked black satin. A
black mask for her eyes, a red flower pinned to her dark hair, and the Spanish
shawl for an artistic touch.
“These are good.” Owl slid six prints toward her, the ones
of women workers taking a smoke break outside a factory. The women’s coveralls
hung baggily, with rolled cuffs at wrist and ankle. Their scarves and earrings
said Woman at Work. The only thing that they shared with the few
pictured men were tired faces and slouched bodies leaning against the brick
factory walls. “Very good yet not for us. Sorry, Flick. I don’t have an article
in the next six months that these photos will support. If something changes—.”
Sliding off the desk, Flick stacked the photos and tucked
them back into the courier envelope she’d swiped from her father’s firm. “No
worries, Owl. Rettleston will want a few of them. I wanted you to have first
pick.”
Her friend sighed. “I wish I did have something. So many
women will lose their jobs now that the men are demobilized. Perhaps I could
commission an article—.”
“Not me. I don’t write the heavy-hitting. My garden features
suit me very well, thank you.” Her blue eyes narrowed. “Do you need a break?
You look as tired as those workers.”
“Perhaps we could do a photo spread. No words. You can tell
a narrative without words.” She held out her hand for the envelope.
Flick tugged harder at the string that closed it. “You don’t
get two refusals in one visit, my friend. Alan Rettleston gets second refusal.
Besides, a photo spread of working women is not really the audience of Modern
Woman.”
“I know, but the occasional feature—I could argue for it.”
“Let Rettleston do his work. Don’t worry about me.”
Owl pursed her lips as she scrutinized Flick. “You look
thinner.”
“It’s the pants.” She tugged at the wide-legged worsted
pants made from a man’s suiting pin-stripe.
“Are you eating enough?”
Gosh, Owl was determined. She pressed a false humor into
action. “Three meals a day. Positively stuffed.” She blew out her cheeks.
“Are they square meals?”
“On a round plate. Stop worrying about me, Owl. Or do worry
in this way. Would you be interested in a public school garden feature? Boys on
a manicured lawn would make fond mothers sigh with contentment. The public
school I’m thinking of has clipped topiary. Very photogenic. I have a couple of
photos from last October that would work for any publication date, even summer,
and the topiary is evergreen.”
“Anything you bring us about flowers and gardens we’ll take.
That’s from Mrs. Crittenden herself. We had a flood of letters after your
December feature on orchids. It was as if English women had never heard of
orchids. Are you thinking of Greavley Abbey where your brother is?”
“Yes. All unexpectedly, too.”
“He’s not doing well?”
Flick didn’t answer that. Owl’s fascination with Chauncey
was long standing. Chauncey didn’t know of it and likely never would. Owl just
blinked owlishly at him. “He needs a visitor to take him out of Greek
conjugations and Old Guard politics, for which he has little patience.”
“When do you leave?”
“A couple of weeks.” She slung the strap for her tote over
her shoulder. The big bag held her most prize possession, a Kodak Autographic
Special camera, bought off a newshound who worked at the London Daily,
Rettleston’s paper. “I must wrap up things here.” She grinned, knowing she
would look like an eager street imp with her bobbed dark hair and over-sized flight
jacket handed down from her brother Allworthy, an ace in the Royal Air Force.
“Lottie’s party this weekend. The mater’s tea before Valentine’s Day. A
masquerade. Dinner with Rettleston one night.”
“You don’t have to dine with—.”
“Whirlwind shopping with friends. One must have tweed for
the country. I might see the rest of winter in Upper Wellsford and bring back
more than one article with photos for you.”
“I wish I could take those workers,” Owl fretted.
“It’s not a problem.”
“Will you—?” She dropped her eyes and toyed with the
fountain pen on her desk. “Please tell Chauncey that I said hello.” The bland
words didn’t match the eagerness that had started her broken-off question.
“I will.”
Chauncey might not remember Owl. The petite dark-haired girl
with a round face dominated by thick black spectacles would have barely
registered on his pre-war scale.
Maybe he had changed. Maybe serving as Greek master at
Greavley Abbey School in a sleepy village had changed him for the better.
Shame about the photos, though. Women losing work should be
the focus of Modern Woman, not flower features.
Chapter 2
Friday, 27 February
Herbert Pollard ran the Hook and Line Pub with a strict
hand. From under thatchy brows threaded with more silver than his sandy hair,
he stared at the small watercolor easel that Isabella had brought on the train.
Beside it on the bar lay her sketchbook, sliding out of her artist’s tote, a
leather satchel confiscated from Madoc. Isabella fished in her purse for the
three envelopes sent from the dowager Lady Malvaise, introductory letters to
Mr. Pollard and the prep school’s headmaster and young Edward Malvaise, the
subject of her portrait.
“We don’t approve of the wild goings-on that painters do,”
Mr. Pollard said heavily. “Specially American painters what call themselves artistes.”
“We run a nice establishment,” his wife interjected from the
end of the bar where she worked on ledgers.
The whistle for the departing train blew.
Chilled from the late February wind, Isabella stopped
hunting in her purse and turned to the satchel. “Of course not. I mean, I’m
reassured that you don’t approve of wild goings-on. A woman alone—.” She
trailed off, letting them complete the sentence with the clichéd responses. Her
icy fingers finally felt the three letters forwarded from Lady Malvaise’s
secretary-companion. She withdrew them and removed the red cord that bound
them. Mr. Pollard’s letter was on the bottom. Fighting shivers from her walk
from the train station, she handed over his. “Did you receive the large easel
and canvas and box that I sent? Those were supposed to arrive this morning.”
He stared at the letter as if he didn’t know what to do with
it. “Aye, brought to us this morning they were. I put them in the room you
hired.”
Isabella winced, thinking of small rooms offered by pubs and
the size of the easel and the canvas. The box, the size of a milk crate, had
her paints and brushes and turpentine and palette. Would the room hold her?
“What’s in this?” He tapped the envelope on the bar.
“Lady Malvaise has promised to pay for my room and board.
She writes of the arrangements for you to draw the funds.” At least, that was
the agreement in her own letter from the secretary. She hadn’t opened any letter
but her own. “I don’t know all the particulars. Will there be a problem with my
staying the length of time that I mentioned in my letter of the fifth?”
“No, no problem.”
His wife left her stool and came behind the bar to take the
letter her husband handed her. “When you wrote, we thought you were a momma
worried about her son. His first time away from home and all that. We didn’t
know you were an artist from America, not until that easel arrived.”
“Oh. A momma with a son at Greavley Abbey School. No. I’m
not really all the way from America, either. I live in England with my husband.
He’s Welsh. Madoc Tarrant. The reason that I’ve come here, to Upper Wellsford,
is that Lady Malvaise’s grandson attends Greavley Abbey School. It’s his
portrait that I am to paint.”
“The dowager Malvaise?” Mrs. Pollard slanted a look at her
husband as she unfolded the letter then dropped her gaze to read. She looked two
decades younger than he. Her pale brows pinched in, then she turned to the
second page. Whatever she read there turned her incipient frown into a wide
smile. “Why, that’s fine, then.” She turned to her husband. “We’ll have no
trouble accommodating Mrs. Tarrant. It’s as she says. Lady Malvaise will cover
any charges for her room and board.” She tucked the letter back into the
envelope. “And her grandson’s at the Abbey School. Has he been there long, Mrs.
Tarrant?”
“I think he has attended for several years. I’m not certain,
though. I suppose it is too late to introduce myself to Mr. Filmer the
headmaster or to Edward Malvaise.”
As a bar maid appeared, Mrs. Pollard waved her husband back
to his work. She rested an elbow on the bar and watched Isabella tuck the
remaining two letters and her sketchbook into the leather satchel. “As to the
boy, it’s much too late. He’ll have Friday Evensong and Compline to attend.
Dean Filmer usually comes in after the service. That’s late,” she added.
Isabella nodded and smiled and murmured her gratitude. Everything
they said was helpful. If that meant pretending that she knew nothing about
Church of England services, then so be it. Her father had enjoyed what he
called “high church liturgy” and the prayers of the canonical hours. A
professor of history, he’d relished steeping himself in ritual and music and a
setting with a strong weight of centuries.
She missed him terribly sometimes.
Not so much since her marriage to Madoc—although now she
missed her husband.
“Will Mr. Filmer come to the pub after ten o’clock?”
“Closer to half-past. You better call him Dean Filmer.
That’s what he goes by. The dean. The teachers are masters. Some kind of
Greavley foolishness, but you know public schools and their traditions.”
That reminded Isabella that she’d hadn’t seen any women in
the pub. “Do you have any policies that I should know about?”
“We have quiet nights here. No ladies in the pub after
tea-time unless accompanied by their husbands or sons or a man of the village.
Since you wish to meet Dean Filmer, I suppose that gives you permission to be
in the pub, but not on a regular basis, Mrs. Tarrant.”
“I will keep that in mind. Will I take meals in my room?”
“Bless you, no, Mrs. Tarrant. We have a small sitting room
reserved for guests. Mr. Pollard calls it the lounge. We have seating there and
tables to serve dinner and breakfast to our paying guests. We keep city hours,”
she added, sounding proud of that. “Lunch here in the pub, of course. If you’re
to miss a meal service, be pleased to let us know several hours in advance.”
“That suits me perfectly.” She and Mrs. Pollard exchanged
smiles.
After their original quick judgement, Isabella hadn’t
expected to like the Pollards. She’d gradually revised her opinion of Mrs.
Pollard. The husband remained a mystery.
Isabella slung the strap of Madoc’s satchel over her
shoulder and gathered up her small easel and purse. Then she bent her knees to
pick up her bulky suitcase.
“Sibby!” Mr. Pollard called. “Sibby! That girl!” When no one
appeared at the swinging door behind the bar, he pushed it wide, offering a
view into a busy kitchen. “Sibby! Get in here.”
The bar maid came out, tucking loose strands of hair behind
her ears. With her dark hair and trim figure, she would have been pretty, but a
scowl marred her sharp features. “What am I to do now?”
Mrs. Pollard rolled her eyes and returned to her ledgers.
Mr. Pollard rapped out several sentences about “come when you’re called” and
“work for me at whatever I say”. He finished with “Don’t be frowning at me, or
you’ll be looking for another position.”
Sibby kept her gaze on him throughout and nodded or shook
her head at the appropriate moments. When Mr. Pollard wound down, she crossed
her arms over her bibfront apron. “What’s to do?”
“This is Mrs. Tarrant,” his wife said calmly from the end of
the bar. “Take her suitcase, and show her to the room we’ve prepared. Freshen
the water in her pitcher, and give her extra cloths.”
Sibby came around the bar. “This it?” and she reached for
the suitcase.
Having lugged it from the station along with her small easel
and satchel while the February wind bit through her, Isabella happily
relinquished it.
For all her slenderness, Sibby had no trouble with the
suitcase on the steep stairs to the first floor. The hall had windows at either
end. Light filtered through lacy curtains. The uncarpeted floor looked oiled
rather than waxed. Isabella’s city pumps clicked on the wood while the bar maid
passed more soundlessly in plain brogues.
Sibby stopped at the last room. “This room looks onto the
back. You’ll like that. Not so noisy as the front.” She swung the suitcase onto
the bed.
Isabella winced, for the coverlet was a pale printed quilt
with interlocked rings in pink and rose and purple. “Do they call that pattern
‘wedding ring’?” She peered around the room. The large easel and canvas that
she had shipped were just inside the door, leaning against the wall, taking up
the scant walk-space on this side of the bed. Madoc had knocked out the easel
of rough wood and left it unsanded since it would be freighted. Brown paper
wrapped the canvas, protecting it during transport.
“I have no idea. I’m not much for sewing.” The bar maid
edged around the bed to a square table tucked into the front corner. She
claimed a transferware pitcher adorned with a country scene. “I’ll get your
water, ma’am.”
Isabella pressed against the bed to let Sibby pass, then she
placed her purse and satchel beside her suitcase. She propped the little easel
under the large one.
This room would be her home for the next twelve weeks. Surely
the painting will be done by then! The little square table for the pitcher
and basin took up the corner, with a small round mirror hanging above a shelf.
A man who had to shave would devolve to many gyrations to see his face. She
stepped over her box of paint supplies, shoved against the foot of the bed.
Once around, she found that the other side had much more room. Under the window
was a narrow table and a single chair. She switched on the japanned metal lamp,
and the room took on a muted glow. Lace curtains half-covered the windows, but
there were also heavy drapes pushed aside to reveal the misty landscape. After
peering at the twilight-dim back garden, she drew the curtains. She was
examining the shelves and hangers of the wardrobe between the bed and the
outside wall when Sibby returned.
“Will you have dinner in the lounge or up here, Mrs. Tarrant?”
“Below, please. I intend to start as I mean to go on. Do you
think we’ll have snow in the morning?” That didn’t bode well for her paints.
Hopefully, she would soon have her preliminary sketching done, on paper and on
the canvas.
“Weather report says Sunday will be warm and sunny, then
we’re back to cold and rain. There’s towels in the bathroom. That’s down the
hall, right next to the stair. The WC is across from it. Do you think you’ll
need more cloths for washing?” Sibby had taken to heart Mrs. Pollard’s order to
give her more cloths, and she crammed the stack onto the little shelf of the triangular
corner table.
“Not for a few days.”
“I work afternoon and evening. In the morning till afternoon
it’s Nuala. She’ll have your morning tea at 7 sharp. Breakfast a half-hour
later. You have a couple of hours before dinner.” She nodded abruptly,
remembered to smile, then retreated.
With the door shut, Isabella towed her suitcase across the
coverlet and set to unpacking. Her few clothes which had crammed the suitcase
looked lonesome in the wardrobe. She arranged and re-arranged them then decided
to empty the contents of the satchel onto one shelf. Her sketchbook, pencils
and eraser, sharpening pen knife and charcoal fit very neatly on the eye-level
shelf. A long jacket, two good frocks, and her blouses hung neatly from the
short rod. Folded skirts and jumpers and jodphurs filled the other two shelves.
Her spare shoes, one pair for walking, the other pair in case of a special
dinner, tucked easily onto the bottom shelf. Staring at the empty top shelf,
she turned about, wandering what else would fit in the wardrobe and give her
more room.
She stubbed her toe on the paint box. In a trice she fit her
watercolor paints and brushes and palette, papers and clips neatly onto the top
shelf. The small easel fit neatly under the table.
Tomorrow was her first meeting with Edward Malvaise. She
also needed to cart to the school the large easel and canvas and paint crate
with everything she needed to work with oils. Lady Malvaise had stated
positively that the headmaster would provide a room at Greavley Abbey School in
which she would work, and the paint crate would store there easily.
Full dark had fallen while she unpacked. Catching the time
on her wristwatch. Isabella hurried into a plain taupe frock and tugged on a
warm cardigan patterned with gold and bronze overblown roses. She finished her
look with eardrops of seed pearls in a gold setting and the single twisted gold
strand that Madoc had given her after their marriage. Sliding into a pair of
mahogany pumps, she locked her door, slid the key into her purse, then
clattered down the narrow stairway and turned down the hall that Mrs. Pollard
had indicated with a wave of her hand when she’d mentioned the lounge.
There she encountered Sibby, carrying a tray with covers.
The bar maid gave her a jaundiced look that repulsed any
greeting. “Mrs. Pollard says you are to linger over your dinner. You can use
the lounge as a sitting room. When Dean Filmer arrives, she’ll send him there
so you can meet with him.”
“That’s considerate of her.” She held the door then followed
Sibby into the room.
The lounge was dim, with only three lamps providing a weak
glow. The only welcome was a cheery fire. Three round tables with heavy chairs
were set for dinner service. Well away from the fireplace were a settee and two
fauteuils. The curtains were drawn against the night. They didn’t create
a cozy ambience. Their dark color absorbed the light, adding to the dimness.
Sibby set the tray on the first table, well away from the
fireplace. She removed the covered dishes then departed.
Isabella barely waited for the door to close before she
dragged a table closer to the fire and scooted over its chairs. Then she
transferred the covered plate and dessert coupe and bread plate. Covers off,
she could see the steam rising from the steak and kidney pie. The dessert coupe
had an apple crumble that surprised her by being delightful, with cinnamon
sprinkled on the custard portion.
When Sibby returned an hour later, Isabella had rearranged
the whole room, one table dragged to the window that overlooked the garden with
its low wall and view of the trees beyond and the other table relegated to the
far end of the room, in front of a set of low shelves, sparse of books yet rich
with curios. She’d dragged the settee from the wall. With the deep armchairs
across from the settee, she had created a conversation circle on the other side
of the fireplace. The circle caught the fire’s heat and became cozy. She had
claimed the fauteuil nearest the fire and was flipping through an old
magazine when the door opened.
Sibby stopped short when she saw the changes but said
nothing. She gathered the dishes onto her tray. “Will you be wanting coffee
now?”
Should I risk coffee in the countryside? American
born and raised, she’d acquired a coffee habit early, and English tea didn’t
quite replace it. Only Middle Eastern restaurants could brew it properly, but
sometimes their incarnations of coffee were too strong. “Yes, please, and thank
you. My compliments to whoever baked that apple crumble. It was an unexpected
joy.”
The bar maid smiled, a true smile, not a fake one. “That’ll
be Mrs. Halsey our cook. I’ll tell her you liked it.”
“Thank you, Sibby.”
“Will you be wanting anything else? Cream and sugar for your
coffee?”
“Black, please. I suppose it would be an imposition were you
to tell me when the headmaster arrives? I think Mrs. Pollard intended to do so,
but I doubt she will bring him immediately.”
“He’ll be late. Close to eleven. He comes in his auto. Too
much trouble to walk from the school. I’ll be happy to give you a head’s up.”
She hesitated then, “He likes to be called Dean Filmer.”
“Yes, Mrs. Pollard said. I appreciate this, Sibby.”
“You’ll be here?”
“Yes. I thought I would investigate the books on that
shelf.”
Sibby lifted the tray, took a step, then paused. “Will I
come back to more changes in the room?”
“I hope not. I thought I would leave the sideboard and the
shelves where they were.”
“Mrs. Pollard may not like it. Is this one of those London
room arrangements, furniture out in the room and not against the wall?”
“The dowager Malvaise is paying handsomely for my stay here,
for over two months. I would like to have a bit of comfort in the evening.
These chairs were too far from the fire.”
“You needn’t explain to me. I suppose you found cobwebs and
dust bunnies.”
“I did.”
She shrugged. “It’s Nuala what cleans this room. You’ve
given her more work of a Saturday morning.” Then she walked out the door she’d
left ajar and hip-bumped it closed.
Isabella hoped Mrs. Pollard was not too upset with the
changes.
How was Madoc enduring his changes? He would be on board his
ship by now, with a narrow berth in a cabin shared with other men. A ship mess
for his dinner, likely without any sweet dessert.
She tugged out a handkerchief to dab her eyes.
Her flatmates had left an hour ago, both in frocks copied
from Lanvin’s newest creation, thin straps and a deep vee, a dropped waist with
a full skirt beneath. Millie paired her rose pink frock with a feathery boa
from props while Stefa in yellow threw on the glen plaid throw from the couch,
wearing it like an enveloping shawl. They had laughed at Flick’s wish they
“stay warm”. The rain had been spitting ice pellets when Flick arrived back
from Fleet Street where she’d gone to sell her photos.
Alan Rettleston ran London Daily, and on the 16th
he bought every photo that Owl had rejected. As he lit one cigarette off another, he said, “I want more.
Men only. Women only. Same style. Same factory if you can work it. Come back in
a week with all of them. Do that, and I’ll pay a third more.”
Flick wasn’t a fool; she knew what he was doing. He wanted a
narrative: the men gone, women doing their work; men returned, pushing the
women out of jobs. Since that was the narrative she’d spotted, she’d follow his
instructions.
The money from the photo feature would keep her ahead on
funds, an entire quarter ahead.
When she returned to London Daily on the next Tuesday
at noon, Rettleston set her to work with “Old Pickwick. He’s good at crafting a
story after the photos come in.” While the newspaper’s official photographer
developed the negatives, she and Pickwick poured over her contact prints, tiny
images the same size of the negatives.
This morning Rettleston counted out her payment from his
petty cash box. As he handed it over, he talked of a party hosted by Lilibeth
Hargreaves.
Lilibeth was a member of the Bright Young Things. At their
parties, champagne flowed freely, the music was jazzy or snazzy, and dancers
crowded any tiny space. Only the flashiest of London’s ton would be on the
guest list. Rettleston promised her dinner with dancing before.
Dinner. Dancing. Millie and Stefa had chattered during their
morning cuppa that they had a party in the theatre district. Rather than stay
alone at the flat or venture alone to a restaurant, Flick agreed to the
evening. She immediately worried at Rettleston’s grin, more lascivious than she
expected. “Would you take me to the Fitzwilliam Victoria Hotel?”
“That old dodge.”
“It does lean to the traditional.”
“Stuffed shirts and dowdy women,” he sneered.
“The food is excellent,” she countered, “and they have a
chamber orchestra for dancing, not one of the newer brass bands. I met my
parents there last month. Dinner, dancing, and Miss Hargreaves’ party. That’s a
wonderful evening.”
He let himself be convinced. With dinner in the offing,
Flick skipped the late lunch she’d planned and only had tea.
The red dress that she’d bought on a dare from Stefa came
off its hanger. A sheath dress, calf-length, demure with its high neck and long
sleeves, but the back draped so low it might be called backless. She wore her
highest black heels and jet eardrops that she’d picked up at a market stall. The
Spanish shawl with its vivid flowers on a black ground was her only concession
to warmth. Then she picked up her black beaded purse that held in-case cab fare
and ran down the steps to wait for Rettleston in the entrance.
His red roadster surprised her then didn’t, for she was
discovering he had more than a bit of flash in him. He had the top up against
the weather, thank God. She opened the door and slid in before he had a chance
to put a hand to his own door latch.
The whole evening whirled. Pre-emptive maneuvering limited
the cocktails he pressed on her. Couples crowded the Fitzwilliam Victoria’s
dance floor, so he didn’t request too many dances. Flick spotted a good-looking
man staring at her. She winked—yet he didn’t see. He looked away just as she
did.
He was dining with other couples, the stuffed shirts and
dowdy women that Rettleston had decried. One woman was flash, though,
glittering rings on her fingers, a spandelle in her marcelled hair, an
embroidered dress from a Paris catwalk. Handsome looked younger than the woman,
an obvious single in the group, and he looked older than Flick’s brother
Chauncey but younger than her oldest brother Warren. Her brother Allworthy’s
age, she guessed. Then Rettleston demanded her attention, and she stopped
speculating if Handsome Is was also Handsome Does.
The party at Lilibeth Hargreaves was wilder than she liked
but not as wild as the theatre parties that Millie dragged her to. Lilibeth had
hired a jazz band on a promotional tour from Louisiana in the States. The
dancing was fast, the drinking faster, and Rettleston kept handing her fizzy
cocktails. Conversation was impossible, but people talked louder, creating a
din that still rang in her ears the next morning.
When Rettleston suggested breakfast, Flick winced. “I have a
long drive tomorrow. I need sleep.”
“Come with me. You’ll sleep after I relax you.”
She groaned. “Take me to my flat, please. I’ve had a
wonderful evening, but it has to end. I have to drive. I’m expected.”
Flick let him kiss her in the roadster, the gear shift
keeping them apart, then she dashed out and up the steps to her flat. She waved
from the door. He revved the motor then sped off.
She’d survived the evening.
Now to drive to Upper Wellsford.
Chapter 3
Friday Evening, 27 February
Michael Wainwright did not normally dine with his superior
on a Friday evening. A murder investigation solved that very morning, no new
case to mull over, he’d been trapped into an affirmative when the chief
inspector cornered him to be the spare man at a celebration. Since he liked
Chief Inspector Malcolm and had no plans for the evening, he didn’t try too
hard to winkle out of the invitation.
His tuxedo fit loosely. He hadn’t regained the three stone
lost in the last years of the war, looking into the fanged maw of hell and
surviving only by a screech of talons.
When he woke in the night, darkness surrounding him like a
predator monster lurking silent and still, he would forget where he was, when
he was. Then an automobile’s revving engine would filter from the street below
or an ambulance’s clangor would peal distantly. He would remember he had
returned to London. The next seconds reminded him the Armistice was signed, and
most of the soldiers were demobilized. On those nights he thanked God and dropped
back to sleep.
Malcolm offered to pick him up, but Michael refused, saying
he would make his own way to the Fitzwilliam Victoria Hotel. He hopped a bus
and was glad of his overcoat that hid his tuxedo from the workers heading home.
The hotel’s marble edifice flew international flags. The
Fitzwilliam was beyond his monthly budget except for special occasions, but he
had dined there enough to know to walk through the elaborate lobby to the
frosted glass doors that led to an atrium and thence to the restaurant with its
exclusive dining and dancing. The string orchestra played a foxtrot rather than
the international tango gradually replacing it.
Subdued conversations flowed under the strings’ harmonies.
An occasional flute created a counterpoint. Not for the Fitzwilliam the
clarinet and brass.
He was early but recognized by the maître d’, a dour
man who adopted the mien of a stiff butler.
“Mr. Wainwright, if you will follow me.” He walked the
fringes of the dance floor to a long table in the corner. “Do you wish a
highball or John Collins to start the evening?”
He avoided the proffered chair that set his back to the
room. “Whiskey and soda, please. Forgive me, have we met?”
“On the occasion of a wedding, sir. You dined with the bride
and groom. Last autumn, I believe. And Easter last, you escorted an elderly
couple. The happy couple also attended that evening.”
He had treated his brother and new sister-in-law to a celebratory
evening here at the Fitzwilliam. He didn’t hide his surprise at the maître
d’s memory. His grandparents were the elderly couple. “You’ve an excellent
memory.”
The man allowed a small smile. “Our guests to the
Fitzwilliam change rarely, sir.” Then he faded away.
While he waited for his superior and the rest of the party,
Michael watched the dancers and discretely examined at the other diners. The
tables around the dance floor were for couples, with tables for four and six
farther back, and larger tables widely spaced behind columns.
A flash of red silhouetted against somber black caught his
eye. He watched a couple taking a table behind a column. The woman wore the
red, a dress that looked demure until she turned her back and he saw an expanse
of pale skin above the draped back. The waiter drew out her chair, sitting her
behind the marble column so that he had the barest look at her pretty face and dark
hair, bobbed but not crimped as so many women did now. The man looked familiar.
Michael caught an edge of trouble associated with his memory of the man.
A waiter delivered his drink. Sipping it, he reminded
himself that the day was done, labor ceased. He could shed his role as an
investigator. Tonight, his chief had cast him into the role of the charming Spare
Man.
Chief Inspector Malcolm arrived, led by the maître d’.
Malcolm escorted his wife. A lone woman followed then came three other couples,
all chattering. He would be Spare Man for the unescorted woman. She wore one of
the shapeless styles that were becoming popular, feminized with swirling
embroidery that reminded him of India.
Michael stood and greeted them. He bothered to remember last
names only, including the single woman’s. His job as a detective inspector had
built his memory for names. He had to shift down table, away from the couple
being celebrated, but that gave him a better view of the woman in red.
Attractive rather than beautiful, he judged, her waif look imparted by her
bobbed hair. She smiled as she responded to her escort’s conversation, smiled
when the waiter delivered a sidecar to her and a highball to the man. Yet she
kept looking around the dining room, as if she looked for someone.
He needed to focus on his own party, but his subconscious
kept watch. He knew the instant the man stood, coming around to draw out the
woman’s chair. They joined the couples gathering for another foxtrot. The man
spoke. Her expression appeared frozen, without its earlier animation.
“Enjoy dancing, Wainwright?” his chief asked.
“Sir, no, sir. Not my thing, especially now.”
“No?” the single woman queried. Mrs. Pomphrey. Margaret,
Margret, Margot, something like that. A widow. “Did you suffer an injury in the
war, Mr. Wainwright? You seem healthy now.”
Margot Pomphrey, he remembered. “No injury,” he confessed.
“I’ve turned stodgy since the war. My sergeant despairs of me.”
“Yet you were watching the dancing. Or the dancers. Has
someone caught your eye?”
“Actually, I wondered if the Fitzwilliam had moved into the
new decade and would shock us all with the Tango. They’ve tamed the Foxtrot, I
see.”
The comment earned muted laughter and turned conversation
from him to dancing.
The celebratory couple joined the next dance. Michael felt
honorbound to ask Mrs. Pomphrey to dance, and she accepted with an alacrity
that kept him distant on the dance floor.
The young woman and her escort had returned to their table.
The waiter had presented the entrée. As the evening progressed, the couple received
their services more quickly than Michael’s table did. Yet the number of times
that they danced kept their progress through the dinner at a similar pace.
Mrs. Pomphrey rattled on about after-parties. He listened
with half an ear and waited for his glimpses of the dark brunette. He had no
hope that he would ever meet her. She would not deign to enter his local pub or
dine at the humble restaurants he frequented. He rarely ventured into the society
to which the Fitzwilliam Victoria catered.
Their worlds were far apart.
Yet he found himself lingering at the restaurant’s entrance
as the party dispersed for the evening. The chief expressed his appreciation
for Michael playing Spare Man. He clapped Michael on the shoulder. His wife
said, “Margot enjoyed the evening. Your idea was brilliant, my dear.” Then she
patted her husband’s chest and clattered through the atrium to the hotel’s
lobby.
His chief hesitated, as if he knew he needed to say more.
Michael quickly said, “Thank you for the invitation and dinner, sir. I will see
you on Monday.” That put him back in lower status, and Malcolm nodded and
followed his wife.
He lingered a few minutes longer, giving the others time to
collect their checked evening wraps while their automobiles were brought to the
entrance.
The maître d’ appeared. “Sir. Have you need of
anything?”
“A bit of information, if you please. The couple that were
seated across the dance floor from us. The table was beside a column. The woman
wore a red dress. I have met the man somewhere, but I cannot recall his name.”
He edged a bob across the lectern.
That last comment and the doucement cleared the maître
d’s expression. “Yes, sir. The gentleman is Alan Rettleston, managing
editor of the London Daily. We do not see him often. The young lady,
however, is well known to us. She has dined several times, usually with her
parents of a Sunday, once a quarter, I would say.” Then he stopped, waiting for
the question that he had guessed prompted the first question.
“Her name?”
“Miss Felicity Sherborne. A photographer, I believe.”
“For the London Daily?”
“That I do not know, sir.”
Michael thanked him and left.
Saturday Morning, 28 February
Isabella introduced herself to the maid Nuala then enjoyed
her morning tea and poached egg on dry toast.
Mrs. Pollard came into the room when she was refusing
marmalade and more toast. Nuala saw the woman and ducked her head before
retreating to clear the table now beside the window. Feeling a smidgen of guilt
for rearranging the room, Isabella poured the last of the tea into her cup and
stirred in another little spoon of sugar.
“Mrs. Tarrant?” The woman placed her hand on the back of a
chair. “May I join you?”
“Please do. The sunshine is brilliant this morning. I shall
enjoy my walk to Greavley Abbey.”
“You spoke with Dean Filmer last evening?”
She nodded as she tapped the spoon then laid it on the
saucer. “He will send a man this morning for my easel and canvas and box of
supplies. The headmaster has also promised to introduce me to young Mr.
Malvaise.”
“You haven’t met him?”
“The dowager commissioned me. I have her letter of
introduction to her grandson.”
“I see. You should have no trouble up at the Abbey School
then.”
Isabella decided to tackle the furniture rearrangement
before Mrs. Pollard did. “I hope you don’t mind.” She swept her hand around to
indicate the room. “It’s a drastic rearrangement. Last evening the fire hadn’t
had time to warm the room. I decided to shift my table closer which led to
shifting a armchair, and then I had to balance the room. The more I moved, the
more had to be moved. I didn’t realize until this morning that this room faces
the south and will take advantage of this glorious sunshine. That table by the
window will be wonderful on a warm and sunny morning.”
“Mrs. Tarrant—.”
“February doesn’t have many sunny days, I know, but I’ll be
here through March and into April, and we will definitely have more days like
today.” There, she’d reminded the woman that she was a long-term guest of the
Hook and Line.
Mrs. Pollard grimaced and shifted in her seat. “We have
other guests, Mrs. Tarrant. We have three fishermen staying with us. You didn’t
see them last night because they supped in the pub. This morning they rose
early. They didn’t quite know where to sit for breakfast.”
“I believe I saw them. Three men, young, middle-aged, older.
We spoke as they left. Do they each take a different table? I thought they had
eaten together this morning.”
“They did, this morning, but they don’t often do so.”
“They chose the window table. That table will be popular,
especially this spring. Candlemas was cloudy, wasn’t it? We should have an
early spring. Did I see crocuses at the gate?”
“You did. Mrs. Tarrant, the fishermen aren’t our only
guests. Miss Felicity Sherborne arrives today to visit her brother. He’s a
master at the Abbey School. She plans to stay a fortnight. She will arrive by
tea-time, I should think. We have more guests expected next week. Where are
they to sit, Mrs. Tarrant? Miss Sherborne cannot retreat to the pub. You will
both be vying for the best table and the best seat.”
“If we are that crowded, then I hope Miss Sherborne and I
can share the same table. It will be lovely to have someone to talk with during
meals. Someone new always has a wealth of conversation.”
“You have a hopeful view of Miss Sherborne.”
“Should I not? What do you know of her? Has she stayed here
before?”
“She stays once a season for several days. A long weekend
for each of her visits last fall, this time a fortnight, as I said. I believe
she’s keen on photography.”
“I shall enjoy her explanation of photography, I’m certain.
I assisted a photographer once.” Poor Richard Lamb. Murdered by a colleague at
the archaeological dig on Crete. The memory subdued her sparkle. “We will
definitely have several conversation starters.”
Mrs. Pollard cleared her throat. She compressed her lips, as
if she had more to say but wouldn’t. She stood and thrust her chair under the
table. “I see that you plan to make your rearranging work. Please don’t be
changing more things without consulting me.”
“Nuala didn’t have more work, did she?” She pretended not to
know that the young woman had had more work. Moving furniture had revealed dust
and cobwebs and gravel and bits of leaves hiding under the settee and chairs.
“You said a man from the Abbey School would collect your
canvas and easel? Should I admit him to your room to collect them? I assume
you’ll be at the Abbey all day?”
“Yes, please. And a box. Everything’s beside the door. I
hope to introduce myself to young Mr. Malvaise before this morning is much
advanced.”
“The boys play rugby on Saturdays. Preparation for the
exhibition games on Founder’s Day, the first weekend in April.”
“Then I shall definitely need to speak with him early. Thank
you for telling me that, Mrs. Pollard. Mr. Filmer didn’t mention it.”
Her smile looked pinched. “For asking you not to rearrange
the room?”
“For giving me the warning about the games today and for
telling me about Miss Sherborne.”
Mrs. Pollard didn’t snort, but she looked as if she wanted
to.
The barmaid Nuala came in as Mrs. Pollard left. Staring into
her tepid tea, Isabella wondered if Nuala had waited in the hall while Mrs.
Pollard delivered her scold … which didn’t really come off. She hid a grin and
drank the tea, even if it had lost all warmth.
“Sit down. Tell me we haven’t caught another case.”
“Not yet, boss. Sunday’s still free.” Callaway started to
lower himself into a chair, then the door behind him opened. He quickly
straightened and tucked his hands behind his back, a noncom giving a report to
his captain.
Chief Inspector Malcolm barely gave the sergeant a glance.
“Closed your case?”
“The sergeant filed the papers earlier.”
“Good then. You two will have the rest of the weekend free.”
“We hope so, sir.”
“I have a commission from my wife.” He acted as if the
sergeant wasn’t there. The chief was probably used to servants standing around.
“My wife and I hope you are free for dinner Saturday next. Just the four of us.
Margot Pomphrey enjoyed last evening.”
He saw Callaway’s eyes roll. The sergeant would relish that
bit of information and ruthlessly tease Michael. “If no case arises, sir. I
must insist on paying my way, however.”
“Nonsense. This will be a favor to us. Evening attire, I
would think, though we do not plan to attend a party afterward. Plans do
change, however. Best to prepared.” He waited expectantly then, and Michael was
forced to thank him for the invitation. His chief then turned to Callaway. “How is Mrs. Callaway, sergeant?”
“My mother is doing well, sir. Thank you for asking.”
The door shut behind Malcolm. “You’re doing better,
Callaway,” Michael praised. “You gave no hint that you knew he’d forgotten you
aren’t married.”
“He’ll never remember that, boss.”
“Not until you rise in the ranks.”
“That’s not likely to occur.”
“The world’s changing.”
“And you’re having dinner with him, boss. Again. The world’s
staying the same. People find their levels and stay there. Like him and his
wife setting you up with that Pomphrey woman. Again.”
“Then we’ll have to hope a case will interfere. That reminds
me. We had a man in our station some months back. I cannot remember the case. Alan
Rettleston. Editor on Fleet Street. London Daily. Do you remember?”
“Not our case, boss.”
“No. Just here in the station.”
“I can ask around, quiet-like.”
“Do that. I’m curious.”
“Trouble, boss?”
“No. Not even a hint of it. Just my curiosity.”
“You know what curiosity did. A case right up our alley.
I’ll see.” He faded back and shut the door just as quietly.
Michael worked through paperwork until he reached an old
file from months back, the weeks immediately after he’d returned to police
work. He hadn’t thought the war had returned home with him until he came on
that crime scene. Unsolved still. He rarely had time to review the case, but he
kept the file on his desk for spare moments like this. He leaned back and
started through the documents, reading each one individually, trying to shift
them around, like puzzle pieces that fit in multiple spots. A new angle?
Missing facts? Different kinds of interviews? He’d thought at first that his
newness as a detective inspector hampered him. He no longer thought that.
Callaway knocked then poked his head around the doorframe.
“Come in.” Michael closed the file. “I need the
interruption.”
“MacBride case, boss?”
“How did you know?”
“Still worries me, too. We’ll get to the answer, boss, never
you doubt it.”
“In this year, I hope. Already a half-year has passed, and
we’re still no closer. What do you need?”
“That man, boss, Alan Rettleston. He was in the station.
Charges never brought.” He touched his nose.
That nose-touch meant that Rettleston had paid his way out
of the charge. “What brought him to us?”
“Assaulted a Jane at a Mott Shop. Broken bones the worst of
it. Re-arranged her face for her. Surgery needed there. The Jane was willing to
charge, but nothing doing. You have anything we can use?”
“No. I just recognized him. He was at the Fitzwilliam
Victoria.”
“Was he? That nice place? With who?”
“Whom. A pretty lady in a red dress.”
“She’ll need to be warned.”
“Unfortunately, she might not view me as creditable. You
know these new things. They don’t automatically accept everything the police
says.”
“No one should do that. But a word of caution ….”
“Anything else, sergeant?” He drew the file back toward him.
“No, boss.”
“Then we’ll plan to have a normal Sunday, shall we? We might
manage some interviews on this before a new case crops up.”
When a brick wall began running alongside the road, she knew
the Abbey was near. The wall seemed to die away deeper into the forest. She
wondered the reason for its building.
She hadn’t searched for Greavley Abbey’s history. Lacking a
cathedral or an influential monastic order, the abbey had escaped Henry VIII’s
deprivations, and the village had built its own church, a plain grey-stone
building with a Palladium style front and an octagonal bell tower at the back.
Her sole source at the London Library in the Pall Mall had
claimed Greavley Abbey had a checkered past. The monastery, still Catholic yet
its influence greatly reduced, survived until Henry VIII and then Oliver
Cromwell. In the Jacobean Glorious Revolution, the monastic order was forced to
remove. A wealthy merchant purchased the whole, Abbey Church and dormitory and
extensive grounds. The merchant’s heirs grew wealthier in successive
monarchies. Yet while the family accumulated wealth, the blood was not as
prolific. By the 1780s, the last merchant had no direct or collateral heir to
name. He fastened upon the idea to form a school and spent his last three
decades doing so.
Isabella reached the grand entrance with its round spheres
topping the supports for the open ironwork gates. She stopped to catch her
breath. Distant shouts let her know the boys already were at play. She saw no
one moving about the front. The Abbey Church stood to her right, medieval in
shape with stained glass windows and a high bell tower that reminded her of
Notre Dame in Paris. Before her was a manor house, Palladium style, and she
wondered if the childless merchant had built both manor house and village
church.
In the narrow opening between church and manor she could see
through to a building of grey stone, much like the church. That must be the
monks’ dormitory. She saw the barest corner of a further building and wondered
at it. The manor was of a warm brick with grey stone quoins. The house rose
three stories, taller than the church and its dormitory, although the
crenallated bell tower ran a story higher. The manor’s architect must have
sought symmetry with the church buildings rather than an imitation of the earlier
buildings.
Trees grew, old and strong, to her left. Along that side of
the house was a boxwood hedge. She wondered if that was the approach to the
maze that had fascinated the librarian.
The church and the manor formed two sides of a square. The librarian
had spoken of a cloister walk and three other buildings, one for
administration, the second for teaching, and the third for the teachers’
lodgings. Only they didn’t call them teachers, Isabella remembered. Mr. Filmer
had called them masters, and he was the headmaster, but she was to refer to him
as Dean Filmer.
Surely in this great place would be a lockable room for her painting. The headmaster had said that she could leave her work without worry. Yet her late father had taught at public schools, in America and here in Britain. Boys easily became imps.
LINKS
Portrait with Death
Worldwide B&N, Kobo, Apple, and
Many More https://books2read.com/u/b6vrjZ
Amazon https://www.amazon.com/dp/B0973GVKSQ
View the Trailer https://youtu.be/6cfEOGy-fXQ
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